‘Funny People’: Apatow’s “best work yet”

Here’s the NY Times‘s Ross Douthat on Funny People: With “Funny People,” though, Apatow is offering a more realistic morality play. This time, doing the right thing has significant costs — but you have to do it anyway. This time, doing the wrong things for...

Here’s the NY Times‘s Ross Douthat on Funny People:

With “Funny People,” though, Apatow is offering a more realistic morality play. This time, doing the right thing has significant costs — but you have to do it anyway. This time, doing the wrong things for too long has significant consequences — and you have to live with them. It’s the first Apatow film in which love doesn’t conquer all. And it’s the first Apatow film in which you get punished for your sins.

In that sense, “Funny People” is the most conservative of all his movies. That’s probably what American audiences don’t like about it. But it’s what makes this film his best work yet.

About the Author

Carissa Turner Smith is a compulsive reader, writer, and Irish dancer. She earned her Ph.D. in English at Penn State and currently teaches writing and American literature at Charleston Southern University. At age three, she announced that all she wanted to do was “sit at a desk and read and write,” and she has been trying to make good on that promise ever since. Fortunately, she is occasionally distracted from this mission by her husband Stephen and their cheese-obsessed cat. A loyal native of Arkansas, she has always loved the fact that Jesus dwelt in an underappreciated corner of Galilee (see John 1:46).